The powerful bond between Vacheron Constantin and women has been forged throughout the Maison’s uninterrupted activity since its founding in 1755. Right from its early years – the oldest gemset piece in its private collection dates from 1812 – the Manufacture has cultivated creativity imbued with elegance matching fine craftsmanship in the realm of Haute Joaillerie. The Grand Lady Kalla now adds a dazzling new chapter to this tradition. Based on the design of the iconic Kalla introduced in 1980 – itself heir to the Kallista unveiled in 1979 – the new timepiece offers several ways of wearing it. A luminous treasure born from the virtuoso pairing and setting of more than 45 carats of exclusively emeraldcut diamonds, this model is an outstanding example of Vacheron Constantin’s creative freedom and expertise.
In 1979, Vacheron Constantin made watchmaking history with the Kallista, whose opulence –starring 130 carats of diamonds – was matched only by the innovation of Raymond Morretti’s design, a geometric rivière carved out of a solid gold ingot from which the watch’s 140 grams were drawn. Issued as a single-piece edition, it was the world’s most expensive watch creation. Its descendants were no less spectacular, as exemplified by the Kalla unveiled in 1980. Also sculpted from a block of 18K yellow gold sparkling with 108 emerald-cut diamonds totalling around 30 carats, the watch became so iconic that it inspired an eponymous collection whose singular creations have earned unanimous acclaim. One notable example is the white gold Lady Kalla with a satin strap, which won the Jewellery Watch award at the first Grand Prix d’Horlogerie de Genève in 2001. Nine years later in 2010, to mark the 30th anniversary of the Lady Kalla, the Lady Kalla Flamme was presented, glowing with the fire of 57-facet diamonds and inaugurating the Flame cut, devised by Vacheron Constantin and duly approved by the GIA (Gemological Institute of America).
In 2024, the Grand Lady Kalla honours the name that inspired it, the Greek word Kallista meaning “the most beautiful”. From the first sketch in the design studio to the final polishing operation, the new creation embodies a wealth of superlatives. The subtlety of the adjustments is matched by their virtuoso execution. The 57 facets of the emerald-cut diamonds chosen for this new piece underline their crystal-clear clarity. Slightly slimmed down to reflect contemporary tastes, the dial is distinguished by the meticulous work of the master gem-setter who has adorned it with modernised prongs. Reduced to a minimum to provide space for the hands, they are triangular on the bracelet and case middle to highlight the stones; or pyramid-shaped to form the Maison’s iconic Maltese cross sparkling in the light. The sautoir necklace featuring onyx and diamonds, as well as Akoya pearl tassels chosen for their luster and their roundness, creates an appealing dialogue between Art Deco and the 21st century.
